#Randomize velocity fl studio how to

Next move all the samples you want to trigger randomly to their own group by selecting all the Zones Edit>Select All ZonesДЄnd moving all Zones to their own group by clicking Edit>Move each Zone to its own group (clone). This allows you to see overlapped Zones much better than the standard view. Tip: Use the List View to see Zones in an alternate view.

Use your mouse because if you use the status bar to change their Zone Range, the Root wonвЂ™t move with the Zone. Do this by moving them all to the same key. LetвЂ™s start by making sure all Zones are on the same key. The Group Start Options lets you define conditions that have to be met before a Group will become active and play any sound. When you need more control, you use the Group Start Options.

#Randomize velocity fl studio how to

HereвЂ™s a quick overview of how to use Cycle Random, one of the many Group Start Options in Kontakt.Д«y default, each Zone in a Group will always play its assigned Sample when a note is received that matches its keyboard and velocity range. This is unnecessary and silly if an album is good, it's good.NI KontaktвЂ™s Group Start Options is a powerful function that gives you control over which Groups will play when you hit a key on your keyboard. I know some bands who have been so ashamed of their programmed drums that they actually hired some dude to pose with them in a photoshoot and give him credit for the drums. As long as they don't sound robotic in a stupid way (long blast sections with the exact same timing and velocity on every single hit on every track), then it's perfectly fine. And that's beside the point anyway - your target audience is not seasoned musicians. With the amount of post production done on acoustic drums nowadays, if you program your drums well, even very seasoned musicians would not be able to A/B a difference between that and the real thing. No drummer would be able to hit a snare with both sticks at the exact same time, for example, nor make a snare roll crescendo increase in volume perfectly smoothly.ДЈ. Besides writing drum parts that would be intuitive for a drummer, adjusting velocities and all that, you can also shift shit a little bit out of time. What's already been said about adding in human elements. So many absolutely dogshit bands have a human being behind the kit, but to what end?Дў. 'Real' is an unnecessary marketing tactic - it doesn't necessarily mean the music is good. Sounding good is more important than sounding real. Hexenkraft - diabolical cyberpunk darksynthД¬osmic Atrophy - extradimensional death metalДЎ.

Simply programming and drawing in notes on the piano roll will not yield satisfying results if your aim is realism. Even if you don't have a real drummer, you can still get a human performance by using tools such as a MIDI keyboard or percussive sample pad like the Akai samplers. With the right libraries, you can have enough samples to match the minutiae of your average drum performance with things like side sticks, rim shots, flams and ghost notes, uneven loudness and velocities in your strikes and so forth. An exclusively sampled kit can be played by an individual drummer on an electronic MIDI kit and have an entirely human performance. I am still 100% confident in that claim, by the way. Apart from crazy things like wild cymbal washes, you can pretty much capture the heart and soul of any given drum kit and make it easily reproducible. It's just too easy to play *most* of the given articulations that are possible on a drum set. Drum programming has advanced a lot since Minas Morgul, and similarly the standard for drum production in contemporary metal has shifted towards a mechanical, quantised and sampled sound.Д«y the way, another brilliant album with programmed drums: Brood of Hatred - Identity Disorder

I believe rexxz said once that he could give you an A-B test of mixes with programmed drums, and drums recorded from an acoustic set, in such a way that you wouldn't be able to tell which one is which.